University of Limerick
Browse

Exploring the role and impact of group songwriting with multiple stakeholders in recovery-oriented mental health services

Download (932.68 kB)
journal contribution
posted on 2020-07-20, 14:56 authored by Tríona Mary McCaffrey, Paula Higgins, Clara Monahan, Sinéad Moloney, Siobhán Nelligan, Aoife Clancy, Pui Sze Cheung
Introduction At the heart of successful operational transformation to recovery-oriented mental health services is the establishment of meaningful, respectful and equitable relationships between multiple “stakeholders” including service users, providers and carers. Group songwriting has a possible role to play in fostering such relationships as it offers opportunities to practice core life skills, adopt new roles, and, encourages respect for the perspectives of others. Methods This study explored the potential role and impact of group songwriting in recovery-oriented mental health services. A total of eight service users and one staff member took part in three song-writing focus groups led by a qualified music therapist. Afterwards, semi-structured individual interviews were carried out to explore participants’ personal experiences of focus group participation. Interview transcripts were analysed using Thematic Content Analysis. Results Three original songs were composed in three focus groups. The lyrics reflected themes including (a) mental health service growth, (b) empowerment and freedom during music engagement and (c) empathy for others. Analysis of nine interviews revealed four themes including: “Group songwriting breaks down barriers in ways that help to promote equality,” “Group songwriting offered new perspectives,” “Group songwriting can expose perceived vulnerabilities” and, “Group songwriting may be approached with knowledge of music’s capacity to promote well-being.” Discussion Findings suggest that group songwriting offers stakeholders a meaningful, reciprocal and equitable space that can foster the concept of co-production that is foundational to effective recovery-oriented working in mental health.

History

Publication

Nordic Journal of Music Therapy; 30 (1), pp. 41-60

Publisher

Taylor and Francis (Routledge)

Note

peer-reviewed

Rights

This is an Author's Manuscript of an article whose final and definitive form, the Version of Record, has been published in The Nordic Journal of Music Therapy 2020 copyright Taylor & Francis, available online at: https://doi.org/10.1080/08098131.2020.1771755

Language

English

Usage metrics

    University of Limerick

    Categories

    No categories selected

    Exports

    RefWorks
    BibTeX
    Ref. manager
    Endnote
    DataCite
    NLM
    DC