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“You’ll Never Kill Our Will To Be Free”: Damien Dempsey’s “Colony” as a critique of historical and contemporary colonialism

Date
2017
Abstract
This article, through a musical, lyrical, and contextual analysis of the Irish recording artist Damien Dempsey’s song “Colony,” probes contemporary discourses concerning colonialism and postcolonialism. In presenting Dempsey’s work through this lens, we seek to interrogate how one singer employs protest song as a vehicle for social critique in a nuanced fashion. Our reading reveals different levels of meaning, in part dependent on contextual knowledge. Furthermore, the simple structure belies the complexity of the issues involved in any discussion of postcoloniality in Ireland and beyond, and because of this the song is rendered all the more potent and persuasive.
Supervisor
Description
peer-reviewed
Publisher
Citation
Musicultures;44 (2), pp. 29-52
Collections
Irish World Academy of Music & Dance
European Centre for the Study of Hate
Sociology
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Power_2017_Never.pdf
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Keywords
music
ULRR Identifiers
https://hdl.handle.net/10344/8834
 https://doi.org/10.34961/8776
Funding code
Funding Information
Sustainable Development Goals
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Type
Article
Rights
https://creativecommons.org/licenses/by-nc-sa/1.0/
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