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Abstract
This article illustrates the creative process and conceptual impetus for the development of the piece Expanded Fields; a moving image installation with live performance, sound and virtual reality which was first presented in the Limerick City Gallery of Art in November 2019. The work highlights multiple filters through which the audience can encounter a piece of choreography, using a range of different media to invite the viewer into various degrees of proximity with the dancers in movement. Co-authors Ruth Gibson and Jenny Roche contextualise this collaboration undertaken with artist Bruno Martelli, composer Mel Mercier and the dancers, Kévin Coquelard, Henry Montes and Ursula Robb and articulate the application of process tools utilised to create the work. They draw on contributions from these collaborators on their experience of the making process as well as through materials produced by all involved in the development of the piece.
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Description
Publisher
Taylor & Francis
Citation
Performance Research, 26(4), pp.71–77
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Funding Information
Arts Council of Ireland Dance Project Award