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Date
2014
Abstract
This paper is predicated on the argument that real-time computer-generated music exists on a spectrum of liveness . First, a brief discussion of liveness situates the question of liveness in real-time computer music. Then, comparing terminology for liveness in real-time computer music characterizes the issues involved. Finally, several musical examples delineate the liveness spectrum in question.
Supervisor
Description
peer-reviewed
Publisher
Electroacoustic Music Studies Network
Citation
Proceedings of the Electroacoustic Music Studies Network Conference;
Files
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pdf_EMS14_hagan.pdf
Adobe PDF, 202.66 KB