posted on 2015-05-21, 13:38authored byMichael Brown, Seán Patrick Donlan
Essentially, the tale was trivial. A scoundrel named Siobharan stole a cockerel,
which had been bought at a fair by Father Aengus. A local court quickly
denounced the theft and a warrant for his arrest was promptly issued. It was
a local drama, a conflict within a community that was replicated across the
countryside and across rural societies everywhere. But the poet and scribe Aogan
6 Rathaille (1675-1729) found something emblematic, drawing from its
mundane universality a tense political specificity that twisted me tale away from
the ordinary and placed it into the mythic world of the symbolic. The poem
he composed, 'Ar Choileach a Goideadh 6 Shagart Maith' (A Good Priest's
Stolen Cock) metamorphosed the event from the banalities oflocal spite into a
profound parable of cultural, religious and political conflict.
Blending the English and the Irish language, the opening stanza revealed
6 Rathaille's intent. The simple inclusion of the word 'whereas', as well as
demanding the reader's attention, placed me case in a court where Anglophonic
law encountered Irish-speaking communities: